At left, a young fair skinned woman with long wavy brown hair stands facing us, wearing only an ornate crown and jewels, a richly embroidered open robe around her shoulders. With a leopard at her feet ...

On the side of the coin on the left is the head of a man facing right, wearing the skin from an elephant's head, trunk turned up and tusks protruding out, small dots surround the border. The other ...

On the side of the coin on the left is a man's head facing left, tendrils of curly hair held in place by a laurel wreath; surrounding the border, the Latin characters: N E R O / C L A V D I V S / C A ...

The fair skinned man looks over his right shoulder toward the viewer with soft dark eyes, short dark hair with thin beard and moustache. The face is the most defined part of this self portrait of the ...

Rising from a roughly cut base of marble resembling a large rock, two nude figures are delicately carved and polished smooth. A young man on his knees holds his arms behind his back, leaning forward ...

The painting of a man wearing a tuxedo standing in front of a light gray wall. The left arm is bent at waist level, the hand holds a small white object between the fingers. The right arm is bent in a ...

A nude female figure balances perfectly on her straight right leg while her left leg gracefully extends upward, toes pointing, higher than the rest of her body. She is bent at the hips and her arms ...

In this graphite drawing with ink outlines, a large letter V in a serif font is front and center. Behind the V is a statue of the Greek god Pan, with goat’s ears and horns protruding from curled locks ...

At center top, a demonic figure with bat-like wings and red skin crouches atop a stone pillar as it is toppling. He looks downward, casting flames from his outstretched hands onto the scene below him.

A key figure in both Dada and surrealism, Ernst painted this work after moving from Cologne to Paris, during a pivotal period when he was shifting away from the collage technique of his Dada ...

The vessel is round, narrowing slightly at the top and base with two high handles. It is painted black and in red there is a seated figure holding two spears. There are three other figures standing ...

Light enters from the upper right to illuminate the center of Mordecai who’s on horseback in three-quarter view, led by a bearded man dressed in robes and turban. The background is classic-looking ...